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Making Detailed Adjustments 39
■ 4-4 Pull-down (Pro Cinema 9500 UB only)
Note: This setting can be used only when viewing NTSC, M-PAL, or PAL60 signals input
through the Video or S-Video ports, or 480i, 1080i/60Hz, or 1080p/24Hz signals input through
the Component, HDMI1, or HDMI2 ports (see page 68). This setting cannot be used when the
Color Mode is set to x.v.Color (see page 29) or with a signal input through the PC port.
This setting allows you to select whether images are projected with 4-4 pulldown
detection or 2-3 pulldown detection. Select
On for 4-4 pulldown detection.
■ Frame Interpolation (Pro Cinema 9500 UB only)
This setting compares the current and previous frames, then creates a frame between
them to reduce fuzziness and produce clearer moving images. You can select from 3 levels
of frame interpolation.
Note: This setting cannot be changed while the 4-4 Pull-down setting is turned on.
Color Settings
If the image colors don’t look correct, you can adjust them using these settings. Use the first
three settings described below to make the most visible changes. If you only need to make
slight adjustments, you can fine-tune the picture with the remaining settings. Most color
settings are stored separately for each image source and color mode.
Note: If you’re using a commercially available color calibration DVD, you can display a color-bar
test pattern and then filter colors in the image by pressing the Pattern button. Select one of the
Color Isolation options for the color you want to filter (R/G/B). This lets you adjust color settings
without holding a filter over your eyes while making adjustments. Press the Esc button when
you’re done.
■ Color Saturation
Note: This setting cannot be used when the Color Mode is set to x.v.Color (see page 29) or
with a signal input through the PC port.
Adjusts the color intensity of the image.
Signal > Advanced > 4-4 Pull-down
Signal > Frame Interpolation
Image > Color Saturation