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’95 Matchless™ Chieftain
A beautifully full amp tone with plenty of character. The Chief is a really great amp to use for
putting a slightly different color in your musical palette.
‘96 Matchless HC30
The perfect Class A crunch tone with tight responsive low end. This is right at home with coun-
try, blues, and rock
’74 Orange™ OR 120
This often overlooked amp from a great British amp company was used by greats like Jimmy
and Frank Zappa. No wonder the great Orange is making a comeback.
’99 Peavey® 5150® II
Designed in conjunction with Eddie Van Halen by Peavey®, this amp offers gain for days.
’88 Randall® HT-100
A vintage solid state amp that ushered in a new metal generation. This was the amp Dimebag
used in the earlier Pantera days.
’84 Roland® JC-120
This solid state combo was synonymous with the sparkling clean sounds of the 80’s.
‘88 Soldano SLO-100
Considered one of the first “boutique” amp companies, the SLO 100 is a pure gain head’s dream.
Smooth distortion with incredible sustain, this amp is amazing.
’67 Sunn® 100S
Used by Pete Townshend in the late ‘60s US tour, these amps offered tons of headroom which
certainly delivered the SPLs The Who loved.
‘62 Vox® AC15
The first great Vox® amp. A single 12” version of its more famous 30 Watt big brother, this amp
has much of the same character to offer.
‘63 Vox AC30 Top Boost
The quintessential amp that defined both Brian May’s and Edge’s sound. Just crank this amp up
and get some of the most awesome growl you will ever hear from an amp.
DigiTech® Blackbass – ’65 Blackface preamp w/ Bassman poweramp
What happens when you combine the cleaner input stage of Blackface and connect it to the
gritty poweramp of a Bassman? You get an experimental amp that works perfect for blues, rock-
a-billy, country and rock. You’ll want to drive this hard.
DigiTech Blues
A perfect combination of clarity and grit. The Blues amp cuts through but doesn’t get too muddy
as the gain is turned up.
DigiTech Bright Clean
A perfect clean combo amp structure, the amp is bright yet cleaner than most. Great for jazz,
surf, country, clean rock and metal.
DigiTech Brownsound - Hot rodded 80’s stack tone
The Brownsound is a hot-rodded Marshall® tone of the early ‘80s made famous by a wild, finger-
tapping guitarist.
DigiTech Chunk
Thicker than a Marshall®, the Chuck gives you lots of gain with plenty of low end that doesn’t
get in your way.
DigiTech Clean Tube
The Clean Tube is a very clean tube combo tone with just the right amount of 2nd harmonics.