Line 6 UX1 Computer Hardware User Manual


 
POD Farm 1.01 – Model Gallery
6•6
1987 Jazz Clean
The 1987 Jazz Clean Amp Model is modeled after* the classic
Roland
®
JC-120.
This transistor amp was known for a strident clean sound and
built-in stereo chorus. When using the JC-120 model, try
cranking up the Treble for a shimmering clean sound that’ll
cut through just about any mix. It’s also perfect for that 80’s
“new wave” sound (after all, it was Andy Summers’ favorite
amp with The Police).
You should also try setting all the tone controls at 12 o’clock
for a darker jazz tone. It’ll give you an essentially flat response,
providing a balanced tone across the fret board for jazz chord melodies or single-line phrasing.
* ROLAND
®
is a registered trademark of Roland Corporation and is in no way associated or affiliated with
Line 6. These product names, descriptions and images are provided for the sole purpose of identifying the
specific products that were studied during Line 6’s sound model development.
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Line 6 Chemical X
Just like those secret ingredients that detergent companies used to crow about (Now! Contains
Ingredient X-27!) The Line 6 Sound Design guys wouldn’t tell us anything about what the inspiration
for this one was or who it might have belonged to (no matter what type of bribery we attempted).
Suffice to say that it’s a very punchy hi-gain sound that also cleans up quite nicely when you roll your
volume back.
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Line 6 Insane
Our goal here was to provide you with as much input gain distortion as possible short of complete
meltdown. You get ridiculous, rich tube drive to shame the distortion of pretty much any amp on the
planet while still retaining tonal definition and character. As a result, you get way lots of bottom end
and cabinet character with tons of wide-ranging tone shaping. Crank up the Drive control and take
no prisoners!
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Line 6 Piezacoustic 2
This one is designed to work with the piezo output of solid body electrics that have one of those
newfangled bridges with the ‘acoustic’ pickup built in. Since you don’t have to worry about the body
shaking itself to pieces with feedback on that type of guitar, we’ve cooked up this model with more
low-mids and low frequencies. Try this one on your Line 6 Variax
®
guitar’s acoustic models too - you
did get yourself a Variax
®
, right?
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