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acintosh or PC through removable hard drives or via an Ethernet file transfer for CD
of this feature becomes even more apparent because Mix Mode will record up to 24
g 6-track surround sound mixes for authoring DVD-Video and DVD-Audio
ad
urce" project. The MX-2424 will indicate it is in Mix Playback mode
y horizontally cycling the meters' "Signal Present" light across all 24 meters, at a less rapid
lect disk settings for any loaded
settings for the
i
Menu 702 will show the disk status of the mix project's destination disk
It
t to
-bit from
24-bit input. The only aspect that must remain the same between the two projects is the
he MX-2424 is
Metering during Mix record mode will display the signal present at the inputs of the MX-2424.
This allows you to ascertain that the console's output is not overloading the MX-2424's inputs.
With Mix Mode, using an external mixdown machine is no longer necessary. The stereo mix
routed back to the MX-2424 and recorded onto 2 channels. You now have two mono digital
audio files that are the left and right side of your mix. These files can then be taken to a
M
mastering.
The value
tracks easily makin
projects.
Playback Mode
Setting the Mix Mode to Playback lets the user hear the mixdown project without having to lo
it. This provides a quick method of listening and checking the mixdown project without
unloading the multitrack "so
b
pace than in Mix Record mode.
When mix mode is turned off, menus 700, 701, and 702 ref
project, just as they always have. However, in Mix Record mode, they reflect the
un que mix project that will be generated. Specifically:
• Menu 701 will choose the SCSI ID of the destination disk for the mix project
•
• Menu 703 will show the available free space for the mix project's destination disk
Keep in mind that the loaded source project and the mix project can be at different bit depths,
and if the two projects reside on different hard disks, they can also be in different disk formats.
is possible to mix a project containing SDII files on an HFS+ disk down to two Broadcast Wave
files on a FAT-32 disk. Also, the source files could be 24 bit while the mix project can be se
16-bit. This is because the MX-2424 dithers the signal in real time while recording at 16
a
sample rate, because the MX-2424 uses a global sample rate for the entire machine.
ront panel editing of the Mix project can be performed in Mix Play mode. When t
F
in Mix Play mode, the relevant front panel edit operations are directed at the mix project. In
addition, future versions of MX-View will offer support for editing the Mix Project.